Tag Archives: women’s boxing history

The last dance: Katie Taylor

From L to R, Eddie Hearn, Katie Taylor, Amanda Serrano, Jake Paul at the February 2, 2022 press conference announcing the Katie Taylor-Amanda Serrano, main event at the Mecca of boxing, Madison Square Garden. Photo credit: Malissa Smith

“I think that’s real legacy, someone who left my sport in a better place,”

Katie Taylor, August 28, 2026

I admit I have been a Katie Taylor fan-girl since I started writing about women’s boxing in 2010 and even before that, when I was training at Gleason’s Gym, and boxers such as Mischa Merz would talk about how amazing she was to watch in action.

In particular, Taylor’s stance on the then-international boxing association, AIBA’s insistence in 2011 that women compete in skirts set a tone for her participation in a sport that has been uncomfortable, at best, with the inclusion of women in its ranks.

In an October 2011 interview with RTÉ’s Ryan Tubridy, on the RTÉ One program, Taylor said, “I want the boxing to be the focus … [not] what I’m wearing.”

She also had no problem walking away from the sport if the rule requiring skirts passed. Her father, Peter Taylor, put it succinctly when he said, “She won’t box. Simple as that. We’ve got morals that go above marketing.”

As a side note, writer Michael Rivest, reporting for the Albany Times Union, wrote that AIBA President, C. K. Wu wanted women to wear skirts so viewers could tell the girls from the boys in the ring. Apparently, with helmets, loose shirts, shorts, and, most importantly, though left unsaid, equal skills, some viewers couldn’t tell the difference!

Oh my.

That notion of boxing abilities so fine honed as to belie the construct of boxing as a gendered sport really did give pause and has been Katie Taylor’s story writ large: A girl from Bray who pretended to be a boy to compete and win because it was otherwise illegal for her to don the gloves in her native Ireland.

Years later, and after boxing became legal for women, in her same native Ireland, she was invited to serve as Dublin’s Grand Marshal for its 2011 St. Patrick’s Day parade.

That honor did not come from nowhere. Her boxing skill earned her gold at the 2010 World Amateur Championships in Barbados the previous year. This added to her collection of titles, including earlier world amateur and European championships, helped her play a pivotal role in securing women’s boxing as an Olympic sport set to debut at the 2012 London Games. She was also an elite two-sport athlete. From 2006 to 2009, she played for Ireland’s senior women’s soccer team as a striker and forward, including scoring goals in 2007 and 2008 against teams from Hungary and Italy, respectively.

Speaking in a Sky Sports interview in 2019, Taylor said, “I did have a chance to get a football [soccer] scholarship over in America when I left school, but boxing was always my number one passion. I knew I had to choose between the two sports and I obviously chose boxing.”

She spoke after winning the inaugural Women’s Boxing Lightweight Gold Medal in 2012, setting a record for the highest decibel levels ever recorded at the ExCel Exhibition Centre. After winning multiple championships as a professional in the the sport.

So yes. Her choice.

Her passion for boxing.

These are the hallmarks of the Katie Taylor we have come to revere and love. Plus her dogged determination to make history in a sport that first denied her a place. The Katie Taylor who never takes no for an answer. Who overcomes each obstacle with perseverance and faith.

Her pursuit of greatness became magic and legend in Ireland and around the world. And the world will come to Croke Park, Dublin’s legendary stadium, to watch Katie Taylor in her black gloves, tinged with white or gold, one last time. Where all 82,300 seats will be filled to watch her boxing spirit soar for one last dance in the squared circle against a young, hungry fighter named Flora Pili (12-0, 2 KOs), who will no doubt box with heart and gumption for the right to be called undisputed women’s super lightweight champion.

Katie Taylor faces off with Flora Pili at the announcement of Taylor’s last fight set for Croke Park, Dublin, Ireland on September 5, 2026. Photo Credit: Inpho Sports Photography

If Taylor’s active fighting career ends on the night of September 5, 2026, to the cheers and tears of the stadium fans and the millions who will watch on DAZN Boxing and RTÉ, her place in boxing and the legacy she has already given the sport will continue to make their mark for generations to come.

Just look at where professional women’s boxing is now, a mere ten years after Taylor’s heartbreaking loss at the 2016 Rio Olympic Games. She licked her wounds, overcame her disappointments, and went on to sign with promoter Eddie Hearn’s Matchroom Boxing as a professional boxer. Shortly thereafter, she won her first bout, a six-rounder, by TKO at 0:58 of the third round on November 26, 2016, against Polish fighter Karina Szmalenberg.

By Taylor’s fifth fight in April 2017 and sporting a 4-0, 2-KOs record, she was on the undercard of the infamous Anthony Joshua – Wladimir Klitschko fight at Wembley Stadium, defeating the 5-0, 1-KO, German hopeful, Nina Meinke by TKO in the 7th round of their non-title ten-rounder.

Katie Taylor, DAZN Boxing launch, July 17, 2018, New York City, Photo Credit: Malissa Smith

The stuff of legend is how she brought a generation of fighters with her. Fighters such as Olympian Natasha Jonas said Taylor helped her see that a boxing career was possible.

As a generational elite women’s boxing amateur and Olympian, Taylor insisted on destiny. She knew she had to make her mark as a professional. She set out to show what it meant to fight the best. To model the daily workouts in the gym that are the chapter and verse of the work to come. The routine—dynamic stretching, jumping rope, shadow boxing, hitting the pads, sparring, hitting the heavy bag, cool-down rounds on the speed bag, wind sprints, weights, more stretching, pool work, road work, shadow boxing, and slipping under the shower head after an ice plunge bath—becomes the tool of passion. Being in the ring is the ultimate experience. Facing an opponent with equal skill and desire demands performance. It means making a mark. It means being of the ring, in the ring, and part of the boxing life that rises above gender and the other prefixes that mean nothing once the fight begins and there are two or three minutes to outbox an opponent, round by round, until an arm is raised at the end of the bout.

Taylor gave us many dances.

She became a lightweight champion, boxing the likes of Eva Wahlstrom, Natasha Jonas, and Jennifer Han.

Then an undisputed champion, fighting the Belgian title holder, Delfine Persoon, and winning in a very close contest by split decision.

For her next dance, Taylor became a two-weight champion, winning a super lightweight title after defeating Christina Linardatou.

Amanda Serrano (R) boxing Katie Taylor (L) fought the first women’s boxing main event at the Mecca of boxing, Madison Square Garden on April 30, 2022, in front of a sold-out crowd for the undisputed world lightweight championship. Photo credit: Malissa Smith

In the first bout of what became a legendary women’s boxing trilogy, Taylor and her dance partner, Amanda Serrano, thrilled the world at the Mecca of boxing, Madison Square Garden. They turned their women’s boxing premier main event into a fight for the ages before a sold-out crowd that openly shed tears at the brilliance of their efforts.

In another first, in May 2023, Taylor chose Chantelle Cameron as her dance partner for her first professional fight in Ireland and the chance to be called undisputed super lightweight champion. It was not her day, as she suffered her first professional defeat, but six months later she battled back to win the crown.

She had two more dances with Serrano in 2024 and 2025 bringing her to a 25-1, 6-KOs professional record to add to her 170-10-1, 35-KOs, amateur career.

Turning 40, however, and still full of fight, she had one more dream to fulfill: to return to Ireland and fight for an undisputed championship at Dublin’s legendary Croke Park.

That dream, the first championship bout at Croke Park since Mohammad Ali defeated Alvin Lewis by knockout on September 20, 1972, and the chance to say goodbye to the crowd, to the boxing community, to her fans, and to the world, is the stuff that dreams are made of and will be realized before the people who love her best.

Since she announced her impending retirement, many have spoken of her achievements, her role as an inspirational figure, and, importantly, her deep Christian faith as road signs of her commitment to ensuring women have a place in boxing.

What I’ve always loved most about Katie Taylor is the “dog” in her.

That rascally spirit that takes over from time to time and reminds us that she is still that girl from Bray who loves nothing more than to mix it up and scrap.

 

 

Katie, Amanda, Lady Tyger, and Me

Author, Malissa Smith with Hall of Fame, women’s boxing trailblazer, Marian “Lady Tyger” Trimiar, Madison Square Garden, Taylor/Serrano Main Event, April 30, 2022.

It’s already May. The boxing ring dismantled, the people who filled the Madison Square Garden arena already home or having taken a few extra days in New York City readying to go.

And yet, the enormity of being surrounded by and among a sold-out crowd of nearly 20,000 people; on their feet, cheering, crying, and cheering some more for Katie Taylor and Amanda Serrano both, reverberates. A crowd so loud the veteran Canadian referee, Michael Griffin, couldn’t hear the bell at the end of a couple of the rounds, and a few days later said he’d “never felt that kind of electricity.”

Katie Taylor and Amanda Serrano fought the fight of their lives.

They fought for themselves, for boxing, for women, for little girls and little boys, for their families, for history, for the record setting, 1.5 million eyes who viewed it on the DAZN streaming platform, and all of us who could make it to that arena.

And we felt it.

I felt it.

Jolted through with the special juice that is an event that transcends its time and place. Becomes already immortal. Engrained in our consciousness. Where we view over and over the special magic of the tender smile that passed between Katie and Amanda just before they fought. Taking in the enormity of what they were about to achieve. A history making main event prize fight between two of the best boxers in the world–who because they happened to be girls meant the special sauce of a well-matched contest, was also infused with all the opportunities that had been denied in the past. With fights relegated to the unstreamed portions of fight cards, for little money, and far, far less than equal treatment.

In a world where gender defines and sets rules for how we live and what our agency is as women, boxing has proved itself to be the perfect medium for amplifying those inequities.

Sitting in the stands with the great trailblazing, International Boxing Hall of Fame inductee, Marian “Lady Tyger” Trimiar, it was not lost on me that her achievements and fights for equity were not unlike those of the fictional character, Don Quixote, jousting with windmills.

Her hunger strike in 1987 to protest the inequities towards women in boxing, a grand and beautiful stand for something, caused a ripple or two, but was largely forgotten.

A life time later, sitting in a majestic box above the Madison Square arena festooned with green light, she smiled, and with a wistful tone to her voice, said, “One million dollars for each fighter. I never earned much more than a thousand dollars, and that was for a title fight.”

If we measure equity in dollars and cents, women essentially earn the equivalent of a nightly bar bill of the Mayweather’s of the world.

Even the Taylor/Serrano fight, which passed the crucible of a minimum of a million for each fighter, an absolute first, still seems paltry in the scheme of things. Think about it. Two top-three pound-for-pound fighters duking it out in the ring together, what should that be worth?

Having had the honor to write about the women who’ve donned the gloves to contest in a sport that breaks their heart, watching Katie and Amanda fight with every ounce of their beings was among the most compelling evenings of my life. Here were two warriors of heart and spirit, meeting their moment of greatness, with power, with fortitude, and with grace.

Would that each of us could achieve an equivalent transcendent magnificence.

[Note: a version of this article was published in the Women’s Fight News eZine, April 2022 edition]

Brooklyn girlboxing … circa 1932!

Brooklyn girlboxing … circa 1932!

Yep, girlboxing fight fans, boxing matches in Brooklyn are, it turns out, nothing new. Here’s a fabulous one from November 1932! It featured Miss “Tarzan” versus Terrible Tessy Terry. Other fighters on the card were Nancy “The Irish Demon” Clancy and “Furious Lil” Brown.

TheWashingtonReporter.17Nov1932.GirlboxinginBK.Page11

Another Female Prize Fight in Manchester, NH, 1860!

Another Female Prize Fight in Manchester, NH, 1860!

Female Prize Fight.31May1860.HolmesCountyFarmer

Women’s boxing, as we know, has a rich, textured history. This piece from 1860 seems to show an actual planned fight. It still used language such as “disgraceful” and “notorius,” but does seem to describe an actual contest rather than an impulsive contest to settle a dispute. As the article notes, “both parties have been training for several weeks past.”

What I find interesting, is that the piece was reprinted in a newspaper in Ohio from the original article in the Manchester Mirror.

A Female Prize Fight in Chicago in … 1856!

A Female Prize Fight in Chicago in … 1856!

As many of your know, I am currently writing a book on the history of women’s boxing.

I came across the following about a women’s “prize fight” in 1856!

Enjoy!

Female Prize Fight.16Oct1856.Fayetteville Observer

Women have always fought!

Women have always fought!

Female Gladiators, Amazona and Achillia. Marble relief known as the Missio of Halicarnassus depicting two female gladiators. Copyright © The British Museum. Credit: Stephen Murray

Boxing has long been considered a hypermasculine sport harnessing masculine ideals of virility and aggression. It has resonated across millennia as an icon of sacred tradition that stretches as far back as the ancient Greeks with even earlier references to the sport in Mesopotamian cultures.

The earliest known literary reference to boxing is Homer’s depiction of the boxing match at the Funeral of Patroclus in The Illiad. Homer begins this section with the older Nestor’s talk with the Greek hero, Achilles:

My legs no longer firm, my friend, dead on my feet,

Nor do my arms go shooting from my shoulders—

the stunning punch, the left and right are gone.

Oh make me young again, and the strength inside me

steady as a rock! (Homer, The Iliad 579)

When thinking about martial contests, however, what might not be so readily apparent is that women have also enacted one or another form of martial ritual including boxing for just as long.

Accounts of Spartan educational regimens for young women in the same time period as The Iliad show that young female Spartans were trained for fighting in the same short tunic[1] as young men and competed against them during training on a regular basis. The Roman poet Propertius also wrote of women with their “arms [bound] with thongs for boxing.”

Other forms of Greco-Roman cultural representations include the marble relief sculpture depicting two female gladiators known as the Missio of Halicarnassus from the first or second century CE and the black-figured hydria of Atalanta and Peleus Wrestling from 550 BCE.

Atalanta wrestling Peleus, Chalcidian black-figure
hydria C6th B.C., Antikensammlungen, Munich, Credit: http://www.theoi.com

Based on the myth of Atalanta, the hydria depicts her defeat of Peleus in a wrestling match at the funeral games of King Pelias. Given the importance of Funeral Games as “symbolic conflict” that both stand in for actual combat (the physical clashing of the bodies) and as a contest of honor, wherein the vanquished is raised up by the victor, the inclusion of female figures in such representations is certainly provocative.

Diana of Versailles, Musée du Louvre, Paris, France, Credit: http://www.theoi.com

However, given that Atalanta is also depicted as a particular favorite of Artemis, Goddess of both the hunt and maidenhood, we can begin to tease out a notion of gender identity in Greco-Roman culture which allows for a “third way” if you will: that of the maiden huntress/warrioress that also links to the myth of the Amazons.

The warrior women, variously described as a tribe of gyno-centric warrior females were quoted by Herodotus as saying “We would find it impossible to live with [other] women, because our practices are completely different from theirs. We haven’t learnt women’s work. We shoot arrows, wild javelins, ride horses—things which your women never have anything to do with.”

It can be argued that such depictions are liminal, based on a time between girlhood and motherhood. In this in-between space these young women are depicted as small breasted and virginal, thus creating an otherness between maleness and femaleness, on the order of Goddess Artemis and Diana. The status of these figures makes them free to hunt and even pursue martial enactments of maleness, however, the price of doing so is to remain pre-sexual.

Statue of a wounded Amazon, 1st–2nd century A.D.
Roman copy of a Greek bronze statue, ca. 450–425 B.C.
Marble. Credit: The Metropolitan Museum of Art

The myth of Atalanta is a perfect embodiment of this ideal. Atalanta enacts warriorness side-by-side with her shipmates Jason and the Argonauts, but can only do so as long as she remains a virgin. The depiction of the mythic women also inevitably shows them in short tunics rather than in long ankle length skirts – thus clearly mimicking the dress of Artemis and Diana. And in some cases, representing a depiction of actual cross-dressing: wearing a short tunic skirt instead of a long skirt.  It should be noted that there are figures of Artemis in a long gown, however, those skirts typically open and show that she is free to run.

To my way of thinking, these are important threads in considering the significant place of female fighting figures historically.


___

[1] Spartan training of young girls was also under the influence of the Goddess Artemis who was often depicted in a short tunic. Throughout Greece, girls participated in formal Games (though not the Olympics) primarily in foot races with aspects of religious ritual associated with such participation.

Work Cited

Boddy, Kasia. Boxing: A Cultural History. London: Reaktion Books Ltd. 2008. Print.

Herodotus. The Landmark Herodotus: The Histories. Fifth Impression Edition. Eds. Robert B. Strassler. Trans. Andrea L. Purvis. New York: Pantheon (2007). Print.

Homer. The Iliad. Deluxe Edition. Trans. Robert Fagles. New York: Penguin Books, 1998. Print.

Murray, Stephen. “Female Gladiators of the Ancient Roman World.” Journal of Combative Sport. July 2003. Web. 12 Mar. 2012.

Papadopoulos, Maria. “The Women in Ancient Sparta: The Dialogue between the Divine and the Human.” SPARTA 6.2 (2010): 5-10. Print.

Plutarch, The Parallel Lives. Loeb Classic Library Edition. N.P. 1914. Uchicago.edu Web. 18 Sept. 2011.

Your great-grandmother was a boxer too!

Your great-grandmother was a boxer too!

Having spent the better part of four months living and breathing women’s boxing from the perspective of gender (i. e., the only “acceptable” female boxer is a “girly-girl” boxer in pink and other such canards) — I thought it might be fun to remind folks that female boxers have been around for a LONG time.  Here are a few samples from newspaper articles published around the country in the early part of the 20th century (click on the links).

An uppercut from the fair fighter’s fist

This article from The Hartford Herald was published on May 1, 1912 and describes a 7th round knockout by Myrtle Havers, 18 over Mabel Williams, 32  in a 10-round professional fight in Saginaw, Michigan.  In declaring Havers the winner, she was also named the girls champion of Michigan.

“The two fought with eight-ounce gloves and under straight Queensbury rules.  Miss Williams, who has been known as the best woman boxer in Michigan for several years, was knocked into dreamland with a stiff uppercut after she had severely thrashed Miss Havers in the early part of the seventh round.”

This woman boxer weighs 105 and has met two champions

An article advocating women’s physical culture appeared in The Tacoma Times on November 27, 1917.  The article is about boxer Helen Hildreth.  When asked if she had ever been hit hard she replied, “Yes, but that’s part of the game. The excitement and nervous tension you are under when you are boxing makes you forget the pain of a blow almost as soon as you feel it.”

Woman boxer invites bout

Published in The Ogden Standard-Examiner on March 22, 1922, this article chronicles Elkhart, Indiana’s hope for a female boxing champion in the person of Gertrude Allison, 25 who challenged New York’s Laura Bennett to a fight!  Check out the photo in the article.  Allison is quoted as saying, “I know I can lick her!”

A Bit of Women’s Boxing History.

A Bit of Women’s Boxing History.

Joann Hagen and Pat Emerick, 1950's

I’ve been writing about boxing most of the day in preparation for a presentation I’m giving on boxing at my college in October. I’m also finishing up the first chapter of my thesis entitled “Boundaries in Motion: Women’s Boxing.”

What I’m most intrigued by is the number of women who’ve been boxing throughout the centuries.  Like many disenfranchised groups, they have fought under the radar so to speak for a lot of the time, but have also had their exploits written about or interpreted as cultural representations in one form or another.  Here’s a smattering (note that references have been removed, however, if anyone is interested drop me an email):

Women's Boxing, 19th Century

Women fighters of this era beginning in 1876, included Nell Saunders who purportedly out fought Rose Harland in the first “official” female bout in the United States at Hill’s Theater in New York.  Other important fighters included Hattie Stewart, the first female world boxing champion, and Britain’s Polly Fairclough from a family of well-known boxers and wrestlers.  Polly was renowned for her prowess as both a boxer and a Greco-Roman wrestler, and holds the distinction of having been the first female to fight at London’s National Sporting Club (she fought against men), and purportedly put on an exhibition bout with Jack Johnson in Dublin.

In the modern context, there have been women professional boxers in and around professional boxing since the 1920’s in the United Kingdom, France and the United States.  During this period in Britain women’s participation in boxing was “characterized as disreputable and dangerous and self-contained in working-class venues.”  Prize fighting as an acceptable entertainment for women, however, was taking hold through such things as the advent of charity fights to aid the war effort during the first World War “under the auspices” of such societal luminaries as Anne Morgan, “the philanthropic sister of J. Pierpont Morgan.”   

Women's Boxing, 1920's

With attendance, came the notion of making the sport an avenue from crossing class barriers to the “carriage” trade.  In particular, to promote a Jack Dempsey bout, his manager “Tex Richard made special arrangements for women spectators,” calling it a “‘Jenny Wren’ section.”  Women also reported on boxing, most notably Katherine Fullerton Gerould who famously wrote about the Jack Dempsey versus Gene Tunney fight in 1926 for Harper’s.  Pockets of women’s boxing subcultures began to sprout up as well.  As noted by Kate Sekules in her book, “The Boxer’s Heart,” this included the Flint, Michigan “stenographer-pugilists” known as the “Busters Club.”  There was also a rise in popularity of boxing exercises in the United States and Europe during the interwar period and the emergence of “girls’ boxing troupes,”  that appeared on otherwise all male fight cards. (All Girl Bands also enjoyed some popularity at this time as popularized in the 1959 gender-bending film Some Like It Hot.) 

Barbara Buttrick (L)

In the late 1940’s and 1950’s Britain’s Barbara Buttrick, a 4’11” fighter with a powerful jab known as “The Mighty Atom,” took up the sport having read about the exploits of Polly Burns.  She found a trainer in London (whom she eventually married) and set out to have a career as a fighter mostly on vaudeville stages and other exhibition venues in England. After arriving in the United States in the 1950’s, however, Buttrick was able to push the sport by finding other women boxers who were going along the same path – and fighting men, one step ahead of the boxing commissioners who continued to keep the female sport underground. Still, she was able to draw large crowds and had the first televised female bout in 1954.  There were also a smattering of big crowd draws, along with a growing number of professional fighters who plied the canvas in the 1960’s and 1970’s to include such boxers as Sue “Tiger Lily” Ryan a true trailblazer for the sport of women’s boxing and such fighters as Caroline Svendsen, the first woman fighter to be licensed by the Nevada State Athletic Commission in 1975 and Pat Pindela, the first woman fighter to be licensed in California in 1976.