Posts Tagged ‘#womensboxing



21
May
18

Tiara Brown is a boxer

Tiara Brown is a boxer.

Super featherweight Tiara Brown signed with DiBella Entertainment on May 21, 2018.

Since she first put on the gloves at the age of 13, there isn’t a day that has gone by when she hasn’t thought about the sport of boxing. Now, at the age of 29 and after nearly 17 years in the sport, the former amateur USA Boxing National Champion and AIBA World Champion has a 4-0 professional record with two KOs. She is also on the cusp of making another leap forward in her boxing career.

Today, that next level will begin with the announcement that she has signed with DiBella Entertainment, joining such female boxing stars as Heather Hardy, Raquel Miller, Alicia Napoleon, Amanda Serrano, and Shelito Vincent.

Lou DiBella made the announcement on Twitter today.

A police officer with the Washington DC police force where she works in community policing, Brown also has new representation with Preeminent PR and has begun training with DC-based trainer Buddy Harrison to complete her transformation from an elite amateur fighter to that of a fearsome professional.

As she works with her new team, her first challenge will be her upcoming main event performance in a six-round battle against boxer Carla Torres (5-5 1-KO). Not only is Brown going up in weight from featherweight where Boxrec ranks her 6th in the USA, but in fighting Torres, she will be stepping up her competition to that of a boxer who has fought such fighters as Ronica Jeffrey, Olivia Geruda, and Amanda Serrano.

Brown is well aware of the challenges and as she works with her trainer on making adjustments to her fighting style to include the basics of old school fundamentals and learning how to read her opponent in the ring, she says, “I am here and I deserve to be here.”

And in stepping up in weight to super featherweight, she is also beginning an ascent that will eventuate in challenging fighters at lightweight.

More than anything, Brown is clear that a year from now she wants to say, “I am a 7-0 fighter with a title belt.”

Anxious to make a statement in boxing, she looks to such female boxers as Ann Wolfe, Katie Taylor, and her former USA Boxing teammate Raquel Miller for inspiration.  From Ann Wolfe, she is learning how to place her punches with precision and explosive power and from Katie Taylor, she is emulating her ability to use combinations and angles to cut off an opponent’s ability to answer back.  And from Raquel Miller, a true sister of the ring, she derives strength from watching Miller’s poise, balance, and strength.

When she isn’t fulfilling her duties as a police officer or her many extracurricular activities mentoring teens, Brown is in the gym, working alone or with a trainer. Back at home, she watches fights on YouTube or wherever she can find them, whether it’s figuring out how to adapt Lomachenko’s mastery of angles and footwork, or checking in on the competition as she looks to climb her way up to winning championship belts.

As she says, “I am a fighter,” and given her talent, her drive, and her spirit, she will meet the challenges ahead with fortitude and perseverance.

29
Apr
18

When the spirit moves you

I’m off at the beach for a week on a writer’s retreat.

So far, I’ve managed a few timed writes, a lovely two and a half hour nap, lots of good eating, and some research on a fighter for a pal, but now comes the hard part. Sorting through the processes that make up what writing is all about and what it means.

When I box, it’s fairly simple. I either throw the dang jab with authority or not. It either sinks in properly or needs fine tuning–such as making certain that I’m throwing straight out from the shoulder to give it pop rather than trying to crash it through with my back leg raised and my full body way over-committed. But maybe that is the trick with writing. Use your nouns, verbs, adjectives, and adverbs with precision–but play with the rules of intention to make the plot points move along the trajectory one needs.

What I’m realizing amongst the august gathering of extraordinary women that make up this group is I am in way over my head–as if I were at a master class of champion boxers sparring with feints and levels of punches galore not to mention the artistry of say an Alicia Ashley deftly dodging a bullet.

Perhaps someday it’ll all makes sense, but meanwhile, I’m writing on with what ever spirit I can gather to make it all work.

 

21
Mar
18

The gym is closed today

My ritual of morning is out of kilter.

With the gym closed today there’s no need to push myself out of bed at 5:30 to begin the process of readying for the gym. Gone is the symmetry of my every other weekday morning boxing workout with my trainer Lennox Blackmoore.  Of the silent walk to the gym, and brief chitter-chatter with the coffee guys in front of the court-house in downtown Brooklyn.

On different mornings, I have different looks and feelings. Mostly I’m reassured by the discipline of making it to Gleason’s Gym pretty much without fail. I arrive, wave to the early morning denizens and making my way to the locker room, transform myself into my boxer self.

It is in the locker room where I set out my tools–my well-worn rival sparring gloves, my hand wraps and my shoes, my water bottle and towel, while hanging up my work clothes for the quick shower and change after my workout.

Ready for battle, I enter the ring to begin the rounds of shadow boxing, working on my footwork and my mix of combinations, careful to always snap my jab with my right hand up.

The rounds with Lennox — four to six depending on how much energy we have.

The four rounds on the double-ended bag, or the heavy bag.

The four rounds on the slip bag or the speed bag.

Sometimes an added bit of something, sometimes not.

Each has a place in my ritual of morning.

Mostly it is all about the sweat and pushing myself and staying positive during those times when I am anything but. This past year has had its difficulties. I still mourn my father’s death in June, finding strength in my memories of him performing his 300 crunches while hooked up to the oxygen that was his mainstay as he bravely battled COPD.  And perhaps it is that memory that pushes me to haul myself out of bed, even when I’ve only managed to get to sleep at 1:00 AM. Other mornings it is the concept that #ageisjustanumber or that the pursuit of one’s passions keep one young and vibrant and vital.

With the gym closed, I find myself up anyway at 5:29, a full hour ahead of my reset alarm clock. Up and wondering what I shall do. Go back to sleep? Scroll through posts on social media? Worry about the latest headlines in the news? The offer I saw on Facebook for an opponent to fight a former world champion for the ridiculous,  insulting and ultimately dangerous fee to the life and safety of the woman who will feel compelled to accept $2,000?

Instead, I find myself here at the dining table. Up and writing, thankful that I’ve given myself the chance to pivot and turn towards my other source of solace and sanity in a crazy world.

 

 

17
Feb
18

Sometimes what we need is the sublime

I watched the Heather “The Heat” Hardy versus Ana “The Hurricane” Julaton Bellator 194 “cage” fight last night. The bout was the first of their two-fight series–the second to be fought in the boxing ring at a date to be specified. Watching it, I was reminded that it always comes down to the work we put into things.

I’ve been seeing Heather three mornings a week at Gleason’s Gym since before the move to Water Street. We generally roll into the gym about the same time–between 6:30 and 7:00 AM, her to a roster of clients of varying skills and abilities she trains in the sweet science, and me to my work with trainer Lennox Blackmoore.  By 9:00 AM, Heather has usually started her own training and if she’s readying for a fight adds yet more hours for “camp” while still keeping up with her clients well into the evening, and her obligations to her daughter–not to mention selling tickets to her fights, giving interviews, meeting with sponsors and potential sponsors, and so on.

Given this is Heather’s profession–it is no wonder she puts in the time and effort, but given that her main profession has been as a boxer, those extra hours generally don’t amount to the kind of money that can guarantee her any sort of financial stability. Realizing that, Heather made the jump to MMA where women are treated more equitably when it comes to the purse at the end of a fight–not to mention a chance for exposure on television and a decent spot on the card so fans can actually see the contest. This in contrast to boxing where even though Heather sells tens of thousands of dollars in tickets, she’ll still end up the second fight on the card with no one in the stands.

I’ll leave it to the critics and trolls on Twitter to discuss whether the fight was really “boring” or not.

What I saw was the work.

Heather, at age 36, has trained with intensity and it showed. She used her newly gained grappling skills to effect and demonstrated how seriously she’s taking the switch over to the MMA world–no less seriously than Ana Julaton who also eschewed a boxing/kicking contest for the ground game and the perimeters of the cage.

More to the point, I was struck my Heather’s patience and acceptance of  what was coming at her as the fight played out. That spoke to a maturity in how she was approaching the fight–and gave truth to her insistence that she was working on adding “tools” to her arsenal of options in the cage.

Thinking about it later, it put in mind that we all need to take time with the things we are doing. That the fast pace of our American post-modern existence and its reliance on speed, the 24-hour rush of experience, and quick judgements that change from minute to minute, means that we lose out on the opportunity to be where we are when we are in it.

Aside from the will to win, the thing the best fighters bring to their bouts is the calm of being truly present. Surely that is a way towards finding our own moments of the sublime.

 

From the classic Jazz at the Philharmonic from 1949 at Carnegie Hall: Roy Eldridge (t); Tommy Turk (tb); Lester Young, Flip Phillips (ts); Charlie Parker (as); Hank Jones (p); Ray Brown (b); Buddy Rich (d). Recorded September 18, 1949 at Carnegie Hall, New York City. Original LP issue: Jazz at the Philharmonic Volume 13 Clef MG Vol 13

 

 

03
Feb
18

Our daily truth

“We are meant to put an end to sexual assault.” Sterling Reithman from her statement to the court at Dr. Larry Nassar’s sentencing hearing in front of Judge Rosemarie Aquilina.

 

Each day seems to bring more and more to the fore of the truths women and girls live with day after day.

And yet to read it in print, on social media, or watch it all unfold in a myriad of visual images whether in news accounts, the meaning of the colors women wear to events, in video clips from the courtroom—it would seem as if this is the first time we ever knew about it. I liken it to Captain Renault’s line in Casablanca when ordering the closure of Rick’s Place: “I’m shocked, shocked to find that gambling’s going on in here.”

 

 

My first encounter with the fact of life all women live with was when I was seven. There was hole in wall in the bedroom my brother and I shared. A plasterer came to our house to fix it early one morning. My mother went back to bed. My brother and I played in the living room, but after a while, I went into the bedroom to watch the plasterer work. The man was fairly short and stockily built with dark, slicked back hair that fell into his eyes and a swarthy complexion. I was standing there for some time when he turned around quite suddenly. In doing so, he whipped out his penis and started to jerk off. I stood stunned for some time before I could even consider reacting—when I did it was to run out of the room. I stood at the threshold of my mother’s tiny bedroom, but saw she was sleeping. I was loathe to wake her up and frankly frightened because she had admonished me to “let the man work in peace.” I was also not certain what I would even tell her, and so I remained frozen in inaction. Shortly thereafter the plasterer left.

Law and Order: Special Victims Unit, Season 15, Detective Benson and a serial rapist

In the scheme of things, I guess I was lucky. He didn’t sexually assault me or physically molest me—so what was a mere “jerk off” complete with grunts and licking lips. Besides, assault and molestation are usually the provenance of trusted figures in young girls (and frankly young boys) lives: parents, step parents, family members, trusted friends, teachers, coaches, Boy Scout troop leaders, babysitters, priests, pastors and rabbis, doctors, and on and on. It’s usually only later that we become fair game to the sexual predators in the outside world who manipulate, cajole, blackmail and betray their positions of trust to get in our pants one way or another—and that’s only the people we know. Then there are the rapists who grab, molest, rape, abduct, torture, murder and everything in between.  It is so much a fact of our daily lives it is the fodder of our nightly doses of police procedurals on television–and yet we remain shocked and surprised.

My particular litany of woe that includes a myriad of events from childhood well into adulthood is inordinately important to me. Those experiences perpetrated on me by people close to me as well as strangers shaped my life and my choices, my sense of self and my being, and has informed my sense of safety across a lifetime. This latter is of particular import because it defines my womanness as much as anything else. Just as the choices I’ve made to overcome those experiences informs who I have become today.

The point is, yes, absolutely #MeToo, but this is also so much bigger—and we stand at a pivotal point in the conversation where victimization by male sexual aggression and the pass they seem to get from the dominate culture is perhaps, finally being called out for what it truly is: a crime. However, while there are and have been many laws on the books, if women are not believed, their victimizers will not be prosecuted. Nor will these experiences suddenly stop–because they will not. They are perpetrated daily in large ways and small ways and until the culture changes to understand the concept of “no,” this will continue unabated.

When I was researching for A History Of Women’s Boxing, I teased out an interesting phenomenon in the early 1900s. At that time it became acceptable for women to practice boxing and other martial sports. When figuring out the strands in popular culture that would allow this sea change, I discovered in some instances it was to allow women the opportunity to learn self-defense. So there we have it–a problem identified, and a means of resolving it by allowing a variance in the strict gender binary. Would it were so simple.

Ask yourselves this: How is it that a 12-year-old girl complaining about a doctor sticking his fingers into her vagina is not believed?

If our lives are informed by our choices, our lives are also informed by the experiences heaped upon us of which some we control and some we do not. Next time you see me in the gym working out a 7:00 AM, understand that while I am there for many positive reasons such as a love of boxing and a desire to remain fit, I am also there because ensuring I can defend myself is the only way I know of to make myself feel safe: protect yourself at all times.

 

15
Jan
18

remembering Martin Luther King Jr. – january 15, 2018

Remembering Martin Luther King Jr. – january 15, 2018

Dr. Martin Luther King, Jr., ZUMA Press/Newscom/File

Today would have marked Dr. Martin Luther King Jr.’s 89th birthday. This image of Dr. King flanked by the American flag is particularly poignant–since his sacrifice to the greater good of the United States resonates so powerfully in our polity today. We should not forget that the America of his dream continues to fight to shout out his teachings with full pride of place–no matter the obstacles.

On September 12, 1962, Dr. King gave a speech at New York City’s Park Sheraton Hotel commemorating the 100th anniversary of what was known as the preliminary Emancipation Proclamation by President Abraham Lincoln. The speech was thought to have been lost for decades until a young intern discovered an audio copy of it in the New York State Museum in Albany.  As noted by WBAI in their commentary on the speech: At the end of the speech, Dr. King quotes a preacher (former slave) who he says “didn’t quite have his grammar right but uttered words of great symbolic profundity.”

“Lord, we ain’t what we oughta be. We ain’t what we want to be. We ain’t what we gonna be. But, thank God, we ain’t what we was.”

 

 

 

02
Jan
17

Women’s Boxing Circa 2017

Women’s Boxing Circa 2017

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Amanda Serrano defending title against Calixita Silgado, July 30, 2016. Photo Credit: Behind The Gloves

While women’s boxing has been around since “modern” boxing began in the 1720s, its place in American sports consciousness began with a trickle in the 1950s and grew to a steady flow by the late 1990s before petering back in the late 2000s.

Boxer Christy Martin’s bout against Irish fighter Deirdre Gogarty on the undercard of a Mike Tyson pay-per-view championship in 1996, put women’s boxing on the “map.” Not two weeks later Martin was on the cover of Sports Illustrated magazine in her characteristic pink boxing attire, and for the likes of boxing impresarios Don King and Bob Arum, it was a race to find other female fighters to add to the undercard of boxing bouts.

cover-christymartin-si

Such fighters as Lucia Rijker and Mia St. John, while not household names by any means, were becoming known in the boxing community—and even sported decent pay days that could be numbered in the thousands rather than the hundreds. At the same time, women’s boxing became a sanctioned amateur sport leading to the development of a national team in the late 1990s. The beginnings of international amateur competition began in 2001 coinciding with the legalization of the sport in countries across the world.

In the United States, the entry of Mohammad Ali’s daughter Leila Ali along with other boxing “daughters” such as Jacqui Frazier-Lyde, thrust the sport into the realm of popular culture including covers of TV Guide and a myriad of talk show appearances. With Leila Ali’s ascendency, however, other American female boxers of the period such as Ann Wolfe, Belinda Laracuente, and Layla McCarter, could not find traction on pay-per-view cards or on cable, despite excellent boxing skills (frankly much better than Ali’s) and by 2010, it was hard if not impossible to find female boxing on American television.

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At the same time, internationally at least, women’s boxing was in an ascendency in such places as Mexico, Argentina, South Korea, and Japan, not only with opportunities for decent fights, but reasonable paydays, and most importantly, fights which were broadcast on television—and continue to be to this day, with female bouts routinely marketed as the “main event.”

International amateur women’s boxing was also on the ascendency culminating in the inclusion of women’s boxing as an Olympic sport in the 2012 Games in London. For such European fighters as Ireland’s Katie Taylor and England’s Nicola Adams, winning gold medals became very important national achievements leading to endorsements and other opportunities, not the least of which was recognition of their place in history and as role models for younger women and girls. For America’s boxing phenomenon, Claressa Shields, who at 17 was the first American female to ever win a gold medal for boxing, the usual promise of Olympic gold endorsements never appeared, and any sense that the inclusion of women’s boxing in the Olympics would perhaps enable a resurgence of the sport in the United States did not materialize. The other American female medalist who won a bronze in the 2012 Games, Marlen Esparza, had slightly better luck in winning endorsements, with adds for Coca Cola and Cover Girl, and a certain amount of traction in the Hispanic community, but otherwise, her Bronze had little effect on the sport as a whole.

In fact, women’s professional boxing has remained virtually absent from the airways in the United States with very, very few exceptions over the past eight years—and in fact, with respect to national exposure, i.e., network television or nationally televised cable boxing programs (ESPN, et al), such instances can be counted on one hand between 2012 and 2016.

The exceptions have been certain local fight cards such as New York City-based promoter DiBella Entertainment’s Broadway Boxing series, which have promoted and televised female bouts on local cable television channels. The same was true of a few of boxing champion Holly Holm’s fights in her local New Mexico market.

Some women’s bouts are also available live from time to time on US or internationally based internet pay channels at anywhere from $10 to $50 a pop. Otherwise, the only other means of watching female bouts has been on YouTube and other video services, where promoters may upload fights days after the bout. Viewers have also come to rely on uploads from fans that record all or some portions of female bouts. The clips are uploaded to social media sites such as Twitter, Instagram and now Facebook Live, in addition to YouTube, Vimeo, et al. Additionally, it is possible to watch international female professional boxing bouts via satellite television. International amateur female boxing tournaments are also available on occasion for website viewing, and certainly women’s boxing in the 2012 and 2016 games were available on the NBC Sports website, albeit, after much searching.

Three of the handful of professional female bouts broadcast since the 2012 London Games included, boxing champion Amanda “The Real Deal” Serrano’s six-round bout which was televised on a CBS Sports boxing program on May 29, 2015, boxer Maureen “The Real Million Dollar Baby” Shea’s pay-per-view title bout on a Shane Mosley fight card broadcast in August 29, 2015, and the last nationally broadcast women’s bout on NBCSN, which pitted two highly popular local North East fighters Heather “The Heat” Hardy and Shelley “Shelito’s Way” Vincent for the vacant WBC international female featherweight title on August 21, 2016. This latter fight was the first female bout to be broadcast under the new upstart Premier Boxing Champions (PBC) promotion arm that has brought boxing back to broadcast television on NBC and CBS, as well as broadcasting on cable television outlets including Spike TV, NBCSN, and ESPN.

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Heather Hardy (R) defeated Shelito Vincent by MD in their ten round slug fest on August 21, 2016. Photo Credit: Ed Diller, DiBella Entertainment

Four months on from the PBC broadcast, with a second Olympic cycle resulting in Claressa Shields winning her second back-to-back gold medal at the 2016 Rio Games – the first American boxer, male or female to have won that distinction – the status of women’s boxing in the United States is at a crossroads of sorts.

Since 2012, mixed-martial arts (MMA) have made significant inroads across platforms on cable, broadcast and internet-based telecasts. Moreover, this increase in visibility has come at the detriment of boxing—with more and more advertising dollars being thrown towards MMA contests. Of significance, however, has been the increasing popularity of women’s MMA (WMMA)—especially since UFC, the premier MMA league added female MMA fighters to their roster. Beginning on February 23, 2013 (UFC157), UFC began broadcasting WMMA bouts.

With the announcer declaring it a “gigantic cultural moment,” Ronda Rousey, a former bronze winning Olympian in Judo, and the Strikeforce* bantamweight WMMA champion, easily defeated her opponent Liz Carmouche with a classic “arm bar” move and in so doing, established a new first for women’s martial sports. Rousey went on to capture the imagination of country with her girl-next-door looks, winning ways, and eventual appearance in films such as The Expendables 3 and Furious 7. This catapult of a female warrior in gloves (albeit not boxing gloves) to include being only the second female fighter to ever appear on the cover of Ring Magazine (to much consternation by the boxing community), did not, however, have any particular visible effect on the fortunes of female boxing, per se,

Her first loss, however, in UFC 193 on November 15, 2015, was to a female boxer turned MMA fighter, Holly “The Preacher’s Daughter” Holm. A highly experienced female boxing champion, Holm’s boxing career of (33-3-2, 9-KOs) while very impressive, never led to the kind of breakout name recognition or big dollar paydays that should have been her due, given her talents, and caliber of many of her opponents including bouts with such boxing royalty as Christy Martin and Mia St. John (albeit later in their careers), British boxing star Jane Couch who single-handedly created women’s boxing in England, and the truly fearsome French fighter, Anne Sophie Mathis. Ensconced in her hometown of Albuquerque, New Mexico, Holm enjoyed a loyal following and excellent local coverage, and while she was a known quantity in the boxing community; it was only with her forays into MMA that she was able to break through to a larger audience and a chance at bigger paydays and television exposure.

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The irony of a Rousy’s loss to a boxer was not lost on the boxing community (nor has the fact that Rousey’s recent loss in UFC207 was due to her inability to defend against her opponents unrelenting boxing “strikes”). A growing number of boxing writers who have also begun to champion the place of women in the sport with such features as Ring Magazine‘s monthly feature by Thomas Gerbasi.

November 2016 brought a flurry of attention to women’s boxing. Claressa Shields appearance on the November 19th Sergey Kovalev-Andre Ward fighting a four-rounder against former foe and USA National champion in the amateurs, Franchon Crews not only ended in a unanimous win on the cards, but the chance to see the fight live as a free streaming event. Shields has been quoted as saying, “It’s definitely a big deal, and it’s a big deal for women’s boxing, period …We really wanted a fight where we could put on a show.”

screen-shot-2017-01-02-at-3-32-13-pm

Claressa Shields delivering a straight right to Franchon Crews in their four round professional debut on November 19, 2016. Photo Credit: AP Photo/John Locher

Boxing writers and Shields herself have asked if this will be the launch point for women’s boxing—and with Claressa Shields recent appearance on the cover of Ring Magazine in celebration of her remarkable back-to-back Olympic gold medal appearances, she is certainly an important figure to be reckoned with as 2017 looms—not to mention her 77-1 boxing record in the amateurs.

Ireland’s Katie Taylor also be turned professional in England in early December, and quickly racked up to back-to-back wins with the second one also broadcast live on Showtime’s streaming online service.

Additionally, in late November, Stephen Espinoza, Executive Vice President at Showtime stated they intended to include female boxing on the network in 2017—a first since 2009. Espinoza has been flirting with the idea of putting a female bout back on the air for the last couple of years—and has paid keen interest in the success of DiBella Entertainment’s local fight cards that have included such female fighters as Amanda Serrano, Heather Hardy, and Shelito Vincent.

In an interview with The Sweet Science, Espinoza is quoted as saying; “It’s been on our to-do list for a couple of years. It’s really at its capacity. But we made a decision we are going to prioritize it.”

The first event is slated to be a WBO women’s world super bantamweight championship with the remarkably talented Amanda “The Real Deal” Serrano (30-1-1) set to fight Yazmin Rivas (35-9-1) in what promises to be a hard fought bout between two technically proficient warriors.

AIBAs (the world international amateur boxing association) rules change just this past week may be the most far-reaching. All women’s amateur elite bouts will now be contested with in three rounds of three minutes each. The parity of the rounds and number of minutes per round is a first in the amateur world—and while elite men will still contest without helmets, there is further discussion of this otherwise controversial rules change that took effect before the Olympics in 2016.

With respect to the number of minutes per round—the normalization of the three-minute round will, in my estimation put pressure on the pros to accept this change, especially as amateurs with experience in the changed format turn professional. Given that in MMA men and women contest using the name number of rounds and same number of minutes per round, there will certainly be more impetus to push through three minute boxing rounds for women. Some states allow this already—such as New York State, but there has been reluctance to push for fights using three rounds based on the perception that women will want more money. Given the pay equity issues that already exist, there may be somewhat of a case to be made, however, with the push to three minutes, that last claim of women’s boxing being “less” than men’s because of the number of minutes in a round will be pushed aside once and for all.

Showtime’s potential entry into broadcasting female boxing along with signs that boxing sanctioning organizations are beginning to put resources into the sport led by the World Boxing Council which has now held two consecutive WBC conventions devoted solely to women’s boxing may help further propel the sport back into a more prominent place in the United States—and in place such as the United Kingdom.

Time will tell whether this actually happens, but as always, I remain hopeful!

 

*Strikeforce was an MMA and kickboxing league operating out of California from 1985-2013. WMMA practitioners such as Mischa Tate and Ronda Rousey were important champions and helped prove the case for televising female MMA bouts. They were particularly popular draws on Showtime. Strikeforce was bought out in 2011 by Dana White and its roster eventually folded into UFC.

 

 




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