Tag Archives: tap dancing

A Thousand Strikes

A Thousand Strikes

women-boxing

 

Having been nursing a miserable cold over the last week that has left me a sniffling, sneezing, foggy-headed wreck, I’d almost lost sight of the looming New Year. Sure, I’ve been aware of it—and have even felt myself in an interregnum of sorts eschewing anything particularly new, or when it comes to writing, even engaging in anything more rigorous than pithy “all my best wishes of the season” notes on holiday cards.

Now that the first day of 2015 has arrived, I can certainly say that I have been busy for a good portion of it taking care of chores (laundry, cleaning up the kitchen, and attending to social media), making New Year’s Hoppin’ John (the vegetarian version—an anathema, I’m sure, to the memory of my mother-in-law, and anyone with southern roots for that matter, who’d have surely had a fair amount of fat back added to it), continuing to nurse my cold (finally, seemingly, on the mend, though I’m still pretty foggy), and even catching a bit of a bowl game with my husband.

With all of that done, along with a few naps, it’s time to tackle the real part of my day—which is to ponder the boldness that a new year can bring to one’s life, along with the grand gestures that can punctuate one’s entry into them.

A Thousand Bokken Strikes on Rockaway Beach 01012015Whether it’s a thousand word blog post, a thousand strikes with a Japanese wooden bokken on Rockaway Beach, a thousand folded paper cranes to commemorate peace, a thousand jabs to start off a trip back to the boxing gym, or a thousand crisp cramp rolls on a tap dancing board, embracing the things one loves, by doing it to the count of one thousand is a brilliant way to begin or reaffirm one’s commitment to it.

Let’s face it, our lives get away from us and with rare exception most of us are at least tripled up with commitments at any given moment—not to mention our feelings of disappointment, angst, grief, anger and guilt at our inability to put the time in to the things that we consider are at the heart of what’s important to us.

Given the year I’ve just had, which was nothing short of miraculous when I consider that I published a book on the sport of women’s boxing, not to mention having reengaged in my own boxing pretty much every week all year—oh, and taken up tap dancing too—there were still the bits that I hadn’t done, such as blog regularly, work consistently on my next book and ensure that my family is taken care of in the way they should be.

With the New Year though, I have the opportunity to sort through those things that have meaning and the things that can be jettisoned, and having distilled it down—my thousand “somethings” are the thousand words of this post which constitute my way of saying writing’s the thing.

Blog posts about women’s boxing and whatever else catches my fancy, poems, essays, diatribes, and yep, “the book” are the purview of my reaffirmation to wordsmithing. And not just writing, but also finding the fun in writing and dare I say it, the joy of writing because, yes, it is a joy. A tremendous I-can-say-anything-I-want, action of plucking goodness knows what out of my thought processes and having it translated onto the page through fingers that dance and clickety-clack over the keys of my laptop.

Yes, JOY damn it! Writing can be joy—not a chore, not working to a deadline, not what the editor says or wants—but writing for the sake of it, because one can, because words can bring out ideas one never knew one had, because words have a magic and are, in my estimation as potent as anything an alchemist can conjure up. And importantly, because this year I am sixty, and if I can’t embrace the go-where-my-mind-wants-to-take-me journey that writing can be now—then when?

And, at least for me—and perhaps for all of us—that is the point, isn’t it? If not now, then when, whatever one’s passion, be it pottery, politics, winning a world championship belt (the way Sonya “The Scholar” Lamonakis did this past year) or being the best-damned cramp roller in the world.

All of these things amount to wonderful journeys—akin in some ways to the great pilgrimages. One sets out on a journey from point A to point B and through that process one can experience each point along the arc of A to B as transformative. Perform a jab a thousand times, and one begins to feel what it is like to really throw a jab. One will also have the chance to notice that jab number 10 will be different than jab number 860—tiredness aside, one will have a fluidity of action, an ease, a sense of accomplishment and the momentum to carry on forward to one’s goal.

For each one thousand “somethings,” one can journey on to the next one thousand or to whatever constituent sets one decides upon, but one will have already made one’s start, one’s leap into the thing that gives energy and joy and a myriad of other emotions and feelings that commitment can bring.

One can also find how those things tie in together. For me while writing is the thing, boxing and tap dancing are the physical embodiments of letting words unfold on the keyboard. By learning to maneuver in the ring with my trainer, Lennox Blackmoore, or by learning new tap dance sequences and steps from Michaela Marino-Lerman, I’m enacting ways to trust my instincts and my ability to do so with fluidity—all of a piece when I think about it, because for me writing is an exercise in being bold, brave and fearless without which, the writing process ends up being a lot like cheating at solitaire.

If I can offer anything, it is to say that if one possibly can, do attempt to embrace the things that have meaning, and then do it a thousand times!

What to do next …

What to do next …

With my book, A History Of Women’s Boxing, in the beginning stages of production (copy editing, proofreading & typesetting) — there’s not much to do except wait. And yes, I have to starting on the marketing side (more to come in future posts), but aside from that, all the hard work is done.

The question is now what?

I’ve started back at boxing three days a week (check), and am even running in the early AM with the prodigal thereby getting more workout time plus extra mother-daughter bonding time (double check), and otherwise, I’m back to blogging daily (check), not to mention working really hard at my job, but what to do with the rest of the time?

Sit back? Hang? Catch-up on series 6 of Dr. Who? — I started that today.

So many decisions!

Write another book — a novel this time? A one-woman show? A book of poems? Start a women’s boxing film festival? Lose the ten pounds I gained writing the book this past year? Cook? — I made Potato-Leek Soup from Julia Childs tonight for dinner. Take up tap dancing? — I can still do the time step I learned at Charlie Lowe’s Dance School in 1966! Work on my ancestry.com family tree again? — Last time I was in between things I got back several generations.

Even my family is getting into the act figuring that I really need a project given that they’re already sick of me “meddling” in theirs!

And as I think of it I’ve had my extracurriculars for years what with lots and lots of schooling and all of the rest.

The other side of it is I feel out of time–and like a small child who doesn’t want to go to bed for fear of missing something, I don’t want to slow down for fear that it may be my last opportunity.

In that sense aging plain old sucks, but then, as my grandmother used to say of anything that was scary or painful , “first you cry, then you get up, wash your face and do.”

So … that ‘s the ticket. I need to “do” and in the absence of a plan, just do something so it’ll just have to be writing daily blog posts, jogging with the prodigal in the dark and facing each day with a smile of on my face! Oh … and lose the ten pounds!

Old dog … new tricks …

Old dog … new tricks …

Boxing Dog, Credit: rachaelhale

When I first walked into Gleason’s Gym a million years ago–as in January 1997–my first trainer, Johnny Grinnage started me off on the wall bag throwing the jab and eventually a seven-punch combination that went jab-jab-straight right-left hook … dip right … straight right-jab-left hook … dip left … and repeat, repeat, repeat. From the wall bag, I graduated to the mirror where I practiced the same grouping of punches — and eventually went on to the slip rope and the heavy bag.  Oh, and once I made it to the heavy bag, my first round was always left-left-left hook … dip left and repeat … dip right and repeat … and sometimes for two rounds.

What I didn’t get was any time in the ring–or the sense of *why* I was practicing those punches.

Eventually Johnny added in upper cuts, straight body shots and even some shoe-shines that had me throwing upwards of 18 punches in a row wearing 18-ounce gloves and crazy wraps underneath because he had me throwing those punches on the super-heavy bag for 12 rounds. Oh–all the while listening to Johnny admonish me *not* to throw any pitty-pat punches!

Suffice it to say, I sure did get strong! And after months of that I was in shape, but I knew nary a thing about boxing.

This went on for a while–and my relationship to boxing went in fits and starts, and was more about the emotion of actually hitting something than the fine points of the sport–and I ended up taking breaks that would last a year, two years or more.

Back in the gym after a particularly long break (2 years), I began training with Lennox Blackmoore.

I basically started all over again–and came a very long way, but ring time was still somewhat light, and it has literally taken me until the last couple of weeks to realize that so much of what he has been showing me and teaching me for years has passed right over my head. I mean I listened, and became proficient at things like the speed bag and the double-ended bag, but I still hadn’t grasped in any kind of visceral way what my body was actually supposed to be doing.

Call me dense (as in ridiculously so)–but the YEARS I spent being told to slip, bob and weave, were never about GETTING OUT OF THE WAY for me because maybe there’d be a punch rending its way down broadway squarely for my nose, because I JUST DIDN’T GET IT.

I didn’t get the dance. The absolute pas-de-deux. The improvisational hopped-up bang-pow-bang of it all.

I mean it’s crazy!

It’s the danciest dance ever.

Move, throw, move some more, drift in, drift out, squeeze impossibly low, fight tall, fight small, stay out of range, jam in and jam out, shoulder roll back, throw forward, sidestep … CRAZY STUFF.

Get it?

It’s crazy tap dancing–but you can’t dance if you don’t know the steps.

DAMN. I’m almost 60 and I finally get it!